Art is expression. Human expression
knows no bounds. If artistic expression is made
subject to a strict set of rules, the result is
art work clothed in self-consciousness and stripped
of the human warmth that only spontaneity can produce.
On the other hand, without basic guidelines, the
artist’s intent may well be lost in ambiguity.
Some artists have a knack for finding a balance.
‘Painted Objects,” an exhibition of
works by the abstract artist Roy Veneracion (at
the Alliance Franciase until April 2), is a fine
example of free-wheeling self-expression tempered
by the disciplines of fine art. The works on view
are free, playful and unrestrained, but are not
without a sense of responsibility.
A 1990 CCP Gawad Para sa Sining Biswal awardee,
Veneracion graduated from the University of the
Philippines with a degree in Fine Arts in 1971.
Since then he has held ten individual exhibits (counting
this one), taken part in a number of group shows
and represented the country in exhibitions abroad.
Veneracion searches both within and without himself
and translates thoughts and feelings through paint,
wood, sinamay, sand, shells and other odd bits and
objects, which he combines into visual compositions
that are visually arresting and effective in putting
a message across.
Veneracion doesn’t believe in thematic exhibits
that imply a kind of “linear progression.”
This accounts for the variety of pieces on diverse
subjects in this show and reflects his attitude
toward art. He explores various disciplines to form
a distinct style consistent with this attitude,
which also reflects his temperament as a person.
“I can’t be a minimalist. My temperament
calls for colors, forms and objects.”
His playful combination of styles can be fascinating.
Abstraction blends with figurative renditions. Tribal
art is rendered in contemporary color combinations;
conceptual avant-garde installations are transformed
into primitive ritual as dried leaves and twigs
form parts of a three-dimensional layout.