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A DIFFERENT VIEW OF ABSTRACTION

Art is expression. Human expression knows no bounds. If artistic expression is made subject to a strict set of rules, the result is art work clothed in self-consciousness and stripped of the human warmth that only spontaneity can produce. On the other hand, without basic guidelines, the artist’s intent may well be lost in ambiguity.
Some artists have a knack for finding a balance. ‘Painted Objects,” an exhibition of works by the abstract artist Roy Veneracion (at the Alliance Franciase until April 2), is a fine example of free-wheeling self-expression tempered by the disciplines of fine art. The works on view are free, playful and unrestrained, but are not without a sense of responsibility.

A 1990 CCP Gawad Para sa Sining Biswal awardee, Veneracion graduated from the University of the Philippines with a degree in Fine Arts in 1971. Since then he has held ten individual exhibits (counting this one), taken part in a number of group shows and represented the country in exhibitions abroad.

Veneracion searches both within and without himself and translates thoughts and feelings through paint, wood, sinamay, sand, shells and other odd bits and objects, which he combines into visual compositions that are visually arresting and effective in putting a message across.

Veneracion doesn’t believe in thematic exhibits that imply a kind of “linear progression.” This accounts for the variety of pieces on diverse subjects in this show and reflects his attitude toward art. He explores various disciplines to form a distinct style consistent with this attitude, which also reflects his temperament as a person.

“I can’t be a minimalist. My temperament calls for colors, forms and objects.”

His playful combination of styles can be fascinating. Abstraction blends with figurative renditions. Tribal art is rendered in contemporary color combinations; conceptual avant-garde installations are transformed into primitive ritual as dried leaves and twigs form parts of a three-dimensional layout.

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